VISUAL PORTFOLIO
“touch and unfold.”
“THE HONORED ONE”
A collection born from the hunger of mastery and the madness of surpassing it. When practice reaches its summit and the void still yawns, superiority becomes the only fire left to kindle. These garments embody that flame: minimal yet imperial, clean lines draped in amethyst and lavender, black and white sharpened into symbols of dominance and grace. Chiffon, linen, and viscose are elevated into robes of quiet arrogance, designed for those who insist on being more than mortal, yet wrestle with the monster within.
The Honored One is not merely worn — it is proclaimed.
2023
“SAMSARA”
Samsara, the wheel of life, turns endlessly: birth into death, chaos into calm, shadow into light. This collection lingers at that threshold, draping the body in monochrome as a meditation on balance. Inspired by the Hill of the Buddha, garments emerge from chaotic patterns that resolve into serenity—skirts that echo shrines, folds that mirror lavender fields encircling stone. Made for the Dreaming Philosopher, the thinker who wanders inward, these pieces conceal their complexity beneath quiet silhouettes. Balance becomes not an answer but a garment: a way of wearing life’s eternal cycle on one’s skin.
2023
“STARSIZE”
A study in volume and alienation, where oversized silhouettes echo the vastness of hip-hop’s stage yet strip themselves to black and white, like constellations cut from absence. Each garment swells beyond the body, bending shirts into serpents, centipedes, and cyber-forms—mutations born from neglect’s memory and the hunger to be seen. Fame is framed as both sacrifice and wound: the larger you grow, the sharper the world cuts. StarSize becomes less clothing and more orbit, garments as celestial bodies—oversized, untamed, universal.
2023
“ENTRANCE ASSIGNMENT”
Created as my entrance work for Høyskolen Kristiania, this portfolio explores design as both discipline and self-reflection. From the analysis of Dior’s logo—luxury distilled into black letters—to my own experiments in minimal logos and kniping exercises, each task became a mirror of how I perceive form and meaning. Photography captures fleeting compositions: ocean coasts, cultural fragments, moments that feel designed by chance. The project closes with works rooted in my own identity: logos crafted for communities, drawings shaded in my chosen palette of red, black, and white. More than an assignment, this was a passage—a declaration of how I see and shape the world.
2024
“MAISON MARGIELA”
An homage to the faceless, to garments stripped of vanity and rebuilt as questions. Inspired by Maison Margiela’s deconstruction, the collection takes the most ordinary form—the shirt—and fractures it into new silhouettes: oversized, cropped, numbered, painted. Threads are treated as seams of memory, buttons as quiet punctuation, monochrome palettes as the silence between statements. Each piece carries the ghost of Margiela’s anonymity, a refusal of spectacle that still becomes spectacle. These shirts are not garments to be worn once, but relics of an avant-garde language—where absence itself is the loudest design.
2023
“MORTAL”
A meditation on morality through fabric and shade. Inspired by Goya’s Black Paintings, the collection renders good and evil not as absolutes but as shifting tones: radiant white as virtue, dusk black as corruption, and mortal red as the blood that binds both. These garments embody the human paradox—where purity and sin, restraint and freedom, silence and chaos coexist within the same skin. Torn seams, stark contrasts, and silhouettes speak of the unstable heart of humanity: a creature of light, forever shadowed; a mortal walking the thin line between grace and damnation.
2023